
art harvest 2012
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Saturday, October 27,
12:00 - 7:00 PM
Sunday, October 28,
12:00 - 7:00 PM

If you don’t have much interest in fauna and flora; then does something more in mid-air, above the bugs and blossoms, fit your style better? There is ample number of buildings, in various stages of function and completion, from freshly finished to the brink of ruin: yours to use for installations, performances—whatever your theatrical conviction and whatever you can conceive of doing in them, doing on them, doing over them or doing under them: short of destroying them . ...still more>>

1.When a building on Art Farm retires under the influence of age, neglect or weather’s assaults and the projected victory of its restoration fades from view, it still lives on, renewed from its rubble, offering components as material for a new structure; a new purpose: a new vision. This is the vision of Charles Tucker: to introduce others to a location, through a structure, like an aperture, to behold the subtleties of a landscape of which they were previously blind.
2. Under a crepuscular sky, two assistants take a paradisal diversion from their labor at day’s end to enjoy, with enthralling infatuation, vaporously ethereal stratospheric splendor. You might imagine their taciturn prudence imposed by concentrated labor giving way to stock phrases of exultant and exclamatory delight and prolonged joy at the sight—perhaps you would echo their sentiments.
Our notion of nature, like life and love, is something we pretend we know the true ways of, but we live satisfied with the piles of lies we build around it, offered as shape and structure for metaphors we expound. If we ignore the western tradition that presumes nature as separate and open to all projects, a precept intimately handled with onanistic exuberance by real estate speculators and developers, then perhaps there is a possibility for integrating the referent, ‘self’ and the environment. Nature has not always approved of our meddling nor have we always been equal to or qualified through fragile judgment to meet the tasks envisioned, but there is no need for forever foreclosing any effort due to past examples of blank incompetence. An alternative to approaching nature in a no-knock police raid manner, or treating it like a backseat queen, might be to mingle with it by measured invitation, subsidized by other minds previously there living in accord with it. Think of nature as an aesthetic lay-a-way program, waiting for us to collect the ecstasy of an exhilarating moment surrounding us in a special domain. We could go on pretending, remaining indifferent to this caucus—shouldn’t be difficult....keep moving>>

Originality: that dramatic soliloquy we feel as boiling elastic within us and theatrically out of us: we associate it with unbounded creativity in the arts; great discoveries in science; vast projects in architecture and engineering, in daily occurrences of unprecedented insight, nonobvious restructuring of old patterns, and at its fundamental level, we call it ‘purpose’—its function as a path we stumble down searching for meaning in all the complexity of our humanness.
Quantum theory established that the inanimate atomic universe absorbs and releases matter and energy discretely until a passive state ensues. Biology suggests life is little more than chaotic piles of protoplasm: catalogs of chemicals randomly mixed for billions of years without intent, shaped and influenced by brute circumstance: both explanations illuminate the known universe through statistical knowledge and empirical observation, but might an additional principle exist here—quantum biology: a chemically kinetic state as balance against entropy?
Consciousness as a quantum consequence may manifest in humans as a purpose and desire to imagine other situations—call it originality in its emergence from us: not depending on genetic copies of survivors: not a choice between ‘do’ or ‘don’t,’ as it makes us a process participant in stabilizing the elusive equilibrium between static and dynamic systems.
All creatures through their single imagination are aware of other creatures, seemingly gained by the helpful hand of natural selection, but what explains consciousness, as it may not be an evolved state: imagine consciousness closer to a chemical continuity across the spectrum of all plants and animals, simply arising as a property out of increasingly complex chemical interactions, and like our bodies’ specialized cells racing amok from the never-ending chemical addendum we blend into nature’s stew, consciousness continues expanding, unsympathetic to our aims on this mortal coil, as we are to the aims of worms and cockroaches while we grapple with life’s incoherence.
Give your sails a moment to billow in this breezy rhetoric while you’re steering your shipwreck of self without the Omnipotent Compass ready to guide: it’s a charming apercu to envision we’re part of whatever is postponing life’s unarrestable decline, ignoring that it may be little more than introspective incest between our awareness and imagination, but we’re extending life, in original ways, without any idea why and no guarantee we won’t be losers at the last call.....more>>
Art Farm continues to develop its limitless promise of meeting impossible expectations, relentless in its management of recalibrated aspirations vigorously asserted as an representation of refreshing uniqueness of enlightened sublimity via a new logo (see lower right). The formerly celebrated logo (see upper right), continues its role as forever distracting to design professionals, their appraisals sounding similar to a self-checkout message of, “Unexpected item in the bagging area;” remaining no less distant from dimensions of moral outrage and aesthetic panic than before and reminding Art Farm that a casual, superficial glance at its retired logo may never produce an association with it as the primary urge for why you masturbate nor be the pinup logo for millions, therefore, in confronting this open wound of eviscerating revelation of serious decline in its communicative influence, the resistive power of inertia, habit and bygone radiance collapses before the demands of conscience, social expectation and obligation to the integrity of artistic impulse allowing room for a new logo to continue its tentative immersion into the Art Farm domain.
Although the original logo may seem as if formed by a committee of kidnappers suffering cigarette withdrawal brought on by inadequate supply, due to ineffective financial solicitation strategies, the conception and intent was to create an image emblematic of and a catalyst for creativity through the highest design standards expressed by humble masterpiece—a triumph of design and aesthetic appeal. However, hindsight and feedback indicate that its imagery has failed to convey, perhaps lost in the compositional translation from abstraction to icon of lofty ambition and monumental vision, the infectious and raffish magnetism of innovative branding, its message remaining unavailable to the normally aware, the aesthetically anesthetized and the astute professional.
Art Farm requests you not cancel your patience during this period of inevitable evolution and win-directed identity management, with its transformation unstoppable at the unprecedented blinding speed of continental drift—hoping that you will linger loyal, balletically optimistic and borne aloft by possibilities, yet unforeseen that the new logo will reveal...<<start over

It’s said that 83% of the universe is elusive and can only be inferred as existing. This proposition might be compelling speculation in understanding the invisible mass of an artist’s creative process: their intuitive instinctual self, the abiding voice of their variegated inner nature and the vulnerable distance of their forbear concealed by the standard exposure on gallery walls—the nexus novelty of private direction against public disclosure: the sacred and intimate traded in the spectrum of negotiated exchange for the irregular voyeurism of public mass trespass and the economy of trophy assets..
The porosity of process forming into art is also the formation of intimacy with the artist: the incoherent spasms of their mind in motion, their indistinct self in perpetual internal drama, their rambling choices dancing like tumblers on cracked glass over a chasm, recognizing the cracks as absent while searching for matches to light the fire that illuminates the inner sky as the way to find faraway. It’s a feral aspect of the philosophical reduced to the visceral where the axes of identity kiss with head-on collision in free-ranging experience hoping to form a bond with ecstasy’s idioms. Sometimes it hits gold, but mostly it’s lead and as some claim, in the quiet afterward, this was their beginning, others claim they still live with mysteries.
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Contemporary life has cleared the table of the need for edictal intervention decreed from Perfection Above in charting an autonomous course, but this moment of freedom is an unsustainable grace, as the intrinsic elements of life’s crumbs remain, indisputably on the verge of chaos from daily fissures of contingent and reversible relationships with the world and others. Capitalism’s placebos of constant consuming offer tinctures of fame and tithes of fortune, but its insistent compulsions compresses the emotions of experience to the awareness level of a performing dog, leaving a feeling close to the impossibility of going on.
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The process of the creative urge is not a placeholder for existing and is as inexplicable as love, forever a surprise reforming anew—the endless sparkle of going forth...still more>>
