Art Farm, artist and writer residency in rural Nebraska, artist residencies
Art Farm’s mission is to support artistic vision, which may be impractical, obscure, and independent of commercial recognition—where failing is no less welcomed than succeeding. To offer artists, writers, performers, and others: studios, time, and resources for pursuing their range of expression, for experimenting, for developing projects, but most of all, for distilling the promise and potential of their creative enterprise, while working and living in a rural environment.
Art Farm's physical presence is in its buildings and land. More elusive to describe is the ambiance—the subtle influence of the environment's impact on time and space. The sun and stars measure your time, not clock and calendar. Space is shaped by proximity to sound and silence. The sky: your eyes: your ears will fill with the sound and shapes of an incredible number of birds and bugs. And, like it or not, the weather will be your collaborator in all undertakings.

Ed Dadey, Director
artist and writer residencies
1306 West 21 Road, Marquette, NE 68854-2112, USA
Art Farm is a 501(c)(3) tax-exempt non-profit organization registered with the State of Nebraska
All rights reserved © 2010
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When a building on Art Farm retires under the influence of age, neglect or weather’s assaults and the projected victory of its restoration fades from view, it still lives on, renewed from its rubble, offering components as material for a new structure; a new purpose: a new vision. This is the vision of Charles Tucker: to introduce others to a location, through a structure, like an aperture, to behold the subtleties of a landscape of which they were previously blind.

Under a crepuscular sky, two assistants take a paradisal diversion from their labor at day’s end to enjoy the intoxicating addictiveness of vaporously ethereal stratospheric splendor. You might imagine their taciturn prudence imposed by concentrated labor giving way to stock phrases of exultant and exclamatory delight and prolonged joy at the sight—perhaps you would echo their sentiments .

Our notion of nature, like life and love, is something we pretend we know the true ways of, but we live satisfied with the piles of lies we build around it, offered as shape and structure for metaphors we expound. Ignoring the western tradition that presumes nature as separate and open to all projects, a precept intimately handled with onanistic exuberance by real estate speculators and developers, perhaps there is a possibility for integrating the referent, ‘self’ and the environment. Nature has not always approved of our meddling nor have we always been equal to or qualified through fragile judgment to meet the tasks envisioned, but there is no need for forever foreclosing any effort due to past examples of blank incompetence. An alternative to approaching nature in a no-knock police raid manner, or treating it like a backseat queen, might be to mingle with it by empathetic invitation, subsidized by other minds previously there living in accord with it. Think of nature as an aesthetic lay-a-way program, waiting for us to collect the ecstasy of an exhilarating moment surrounding us in a special domain. We could keep pretending, remaining indifferent to this caucus—shouldn’t be difficult..

Twenty-five residents and interns will spend a part of their lives at Art Farm this year. No amount of speculation can determine what may transpire; maybe some event pops up out of the dynamic energy of what they imagine—we’ll let you know if it happens. Meanwhile, we invite you to take a minute to look at more of what Art Farm has under way, adduced as empirical evidence for the claim that it may just be the place for you. There is plenty of information hiding here to stumble over and stick to—only takes a click
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